For 10 years, Nawruz has lived in BLISS, a former government housing project that has now become a shelter for local migrants, city workers, and university students. Originally from the southern Philippines, he has decided to stay in Manila not only for work opportunities but also for the comfort and freedom of urban living.ButstayinginManilaisn’teasy— and it isn’t cheap either.He accepts freelance design and animation work, sells beauty products, joins a community lending scheme, and thinks of renting a whole flat in BLISS and lease its rooms to others to earn and save money. One day, his mother calls and asks him to come home. She is worried about his financial troubles and offers to help.Reluctantly, he agrees and uses this opportunity to connect again with his family, especially with his mother whose values have always been old-fashioned. God BLISS Our Home is Nawruz’sself-portrait documenting his struggles to survive in Manila, his passion to pursue his dreams and continue making films, and his efforts to position himself in the vast socioeconomic and political sphere of a fast-paced city. But it is also his personal letter to his mother, an attempt to make her understand his sexuality and changing priorities in life.